Encore turns to Baselight to colour the story of Picasso

Encore turns to Baselight to colour the story of Picasso
Budapest Hungary Clmence Posy Francoise Gilot with Antonio Banderas Pablo Picasso in National Geographics Genius Picasso National GeographicDusan Martincek
Published: 5 July 2018 - 9:03 a.m.
By: Digital Studio Middle East Staff

The second series of National Geographic’s popular series Genius focuses on the extraordinary life of painter Pablo Picasso. Colourist Pankaj Bajpai at Encore in Hollywood was charged with creating the look that evoked the time and place as well as the art.

Bajpai was the colourist on the first series of Genius, which featured Einstein and was set in Germany. Series two inhabits the much warmer climes of Spain and Paris. Working with DoP Mathias Herndl, it was the place that led them to the look: “We anchored ourselves in the quality, colour and texture of the Spanish light in Málaga, the birthplace of Picasso,” Bajpai explained.

The series tells the story of Picasso (played by Antonio Banderas) and his complicated, chaotic lifestyle which was the source of his vibrant paintings. National Geographic and the show’s creator Kenneth Biller were concerned with creating the sense and style of the first half of the 20th century. “A key challenge was to maintain the authenticity of the period, and yet somehow keep a contemporary flair,” Bajpai recalled.

“We start with Picasso’s father and his memory of the bullfights – it’s all incredibly warm,” he continued. “Then Picasso as a young man, with many candlelit interiors. And towards the very end the palette becomes sparse and cold, as his life becomes more isolated.”

Herndl shot the series using the ARRI ALEXA, and Bajpai was involved from the earliest days of the production. “Mathias and I have a long working relationship, and much of our understanding is intuitive – it’s a partnership where few words are exchanged. I know Mathias’s instincts when he is shooting, and he knows how I might approach the captured image. When it all comes together, it’s wonderful.”

At Encore, colourist Bajpai used the latest Version 5.0 of Baselight software, giving him access to Base Grade, FilmLight’s popular feature of the colourist’s toolkit. “It allowed me to approach grading using the classic zone system for the first time, which was tremendous. It is possibly one of the most practical and significant advances in grading technology in a long time.

“There are many scenes in the show where there are old European-style big and bright windows,” he said. “To be able to maintain details in the high-high-highlights and low-low-lowlights and still keep everything in between was unbelievably fast and clean.”

Executive produced by Ron Howard and Brian Grazer, Genius is a major success for National Geographic. Season one was the network’s most-watched show of 2017 and earned the network a record 10 Emmy nominations.

Premiering with two back to back feature-length episodes Sunday, April 22, the second season of National Geographic’s GENIUS: PICASSO, explores the Spanish expatriate's devotion to his craft, his contribution to modern art and his turbulent personal life. The new season, from Fox 21 Television Studios, is executive produced by Brian Grazer and Ron Howard’s Imagine Entertainment, MWM Studios and EUE/Sokolow Entertainment. Showrunner, executive producer, writer and director Ken Biller also returns.

“We are very excited to bring to our regional viewers Genius: Picassio at a time where the Middle East region is experiencing an Art renaissance with the advent of museums such as the Louvre Abu Dhabi and the explosive growth of local artists,” said Sanjay Raina, General Manager, National Geographic Abu Dhabi MENA and Senior Vice Presidents, Fox Networks Group.

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